The first solo rock release for the Pink Floyd co-founder in 25 years was produced by Nigel Godrich. But “The Last Refugee,” with its images of lovers lying “Under lemon tree skies” and “Dreams/Up to our knees/In warm ocean swells,” also shows that Waters has grown into an evocative poet—that is, when he isn’t spelling out his message on songs like “Picture That.” “Picture your kid with his hand on the trigger,” he sings, “Picture prosthetics in Afghanistan.” Then again, it’s hard to argue with a verse like “Picture a shithouse, with no fucking drains/Picture a leader, with no fucking brains.”. In this album, Waters offers his work as fuel for revolutionaries. and Amused to Death. (Ranking: Every Pink Floyd Album From Worst to Best). Occasionally the music wells up into something noisier and more rhythmically intense; “Bird in a Gale,” with Waters’ image of a loon howling at the sea, openly echoes the trippy deep-space psychedelia of “The Dark Side of the Moon.”. This Album Is a Masterpiece. The good news Is this the Life we really want Waters first record since ATD 25 years ago is a return to form. It’s also a big album: a long, sprawling epic that stretches out for it’s slightly-padded running time, but one so full of ideas and intricacies that it’s an easy album to get sucked into. Is This the Life We Really Want? They don’t take many risks, but Roger Waters presents some of his most focused songs since the mid-’70s. (He did, after all, blow up “The Most Beautiful Girl” a little earlier in the album.) Prime members enjoy fast & free shipping, unlimited streaming of movies and TV shows with Prime Video and many more exclusive benefits. I. But the somewhat mellow progressive rock songs do work well with the sound here. Is This the Life We Really Want? Roger Waters – Is This The Life We Really Want? Produced by Nigel Godrich producer of several Radiohead albums including OK Computer – regarded by many as a 1990s Dark Side of the Moon – and a big fan of Water’s 1970’s Pink Floyd work. On paper, his decision to work with famed producer Nigel Godrich for Is This the Life We Really Want? (Two years ago, he described the new material as his way of sending humanity a mediocre report card. “Is This the Life We Really Want?” All in all, if you're a Pink Floyd or Roger Waters fan, you really should love this album. But I was surprised. Remarkably, in this even more disturbing time, what sets these two sister albums apart is that Is This the Life We Really Want? The good news Is this the Life we really want Waters first record since ATD 25 years ago is a return to form. It’s been abundantly well documented that by the time Pink Floyd set out to record their sprawling 1979 double album The Wall, internal friction over bassist/frontman Roger Waters’ push for creative control had reached a breaking point. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. ", As a pretty big Pink Floyd fan, I was interested in hearing what Waters made, even if I was hesitant considering late career records. looks like a much-needed injection of new blood. 1987’s Radio KAOS – Tommy meets Wargames meets the Miners’ Strike – is listenable, had better songs and great concept of talk radio but failed to tell its’s concept story convincingly via the songs hence resorted to sleeve notes– it just felt half-baked and incomplete and wasn’t helped by the production. Roger Waters has been exploring the … These ‘70s-redolent touches may represent Godrich’s glee at being the kid in the Pink Floyd candy store, or just a realization that it takes a spoonful of that sugar to make Waters’ world-weary bitterness go down. I wasn't blown away because of how similar it does sound to Pink Floyd and there are some songs that could have used a bit more grit (and also The Most Beautiful Girl has Waters singing with a weird Kermit the Frog impression at the beginning, which stuck with me throughout the song), but overall this is a solid record from Waters and definitely a recommendation to any Pink Floyd fan. After all, Godrich’s signature sound has been a cornerstone in the legacies of Radiohead and Beck. (Read: Pink Floyd’s Animals Pulls No Political Punches 40 Years Later), The title track opens with a CNN clip of Trump asserting his election win with an insistence of “zero chaos.” It’s in the dead center of the 12-track record – a thesis junction from which all the album’s other trains of thought travel.

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