In terms of lens availability, there are thousands of Canon FD mount lenses available and therefore you are able to pick up a full focal range for a relatively humble sum. M. David Mullen: The Alexa image tends to be gentle and film-like, not too harsh nor electronic, which helps us maintain a subtle period look. Adriano Goldman: We shot Seasons 1 and 2 on rehoused Cooke Panchros, I wanted to welcome a new cast with different lenses. HASSELBLAD 500C/M. Some manufacturers use different mount subsystems that represent the sensor size as well. the Super-Multi-Coated and SMC Super Takumars, in both M42 and K mount. Buy it on Amazon.com. This size of the aperture is a key measurement. Shooting on prime lenses requires a bit more discipline than zooms when you’re lining up a shot, as you have to consider camera placement as it relates and composition. Ultimately, this meant the lighting was integral to the set, takes were long and the camera choreography developed as we shot. Venice also has the Rialto camera-extension system, which separates the sensor from the body, enabling me to use the Stabileye [gimbal] as a compact, fine-tuned remote head for the long, evolving shots on our “cube” set. Furthermore, it’s compatible with a variety of 67mm filters. The Primo lenses also are sharp with minimal flaring, but not too harsh (we use Schneider Hollywood Black Magic diffusion as well.) A cheaper and lighter version is available with a maximum aperture of f/4 for $1,100. The beautiful bokeh (complemented by a well-rounded, eight blade diaphragm), fast and accurate focus and numerous measures against aberrations make the Canon EF 70-200 f/2.8L IS III USM one of the most versatile zoom lenses on the market. A certain amount of light that comes into the lens is lost as it moves through the lens and camera. The size of this opening is controlled by a multi-bladed iris. The large sensor and shallow depth of field allowed us to photograph Jackie in a very subjective way…. BEST BUDGET CAMERA LENSES: WIDE-ANGLE We wanted the storytelling to be very objective and simple with a limited use of POV. The lens aperture iris diaphragm has nine rounded blades that provide a pleasant bokeh for shallow depth of field shots. Format: 3.2K Apple ProRes 4444 / ARRI Log-CCamera: Arri Alexa Mini (Panavised)Lens: Panavision Primos, mostly the 24mm and 30mm. While lenses with full frame coverage are generally more expensive, they’re also more versatile. This lens isn’t cheap but its robust, weather-sealed construction makes this a solid investment for the discerning photographer. The reaction between the glass and the soft gauze texture of the light is stunning. Format: Redcode RAW .r3d in 8kCamera: Custom Red Xenomorph Mk2 designed by the team at RED. The 35mm 1.8 DX Nikon is the same field of view as a 50mm lens … This are the best OM Lenses in IQ (42 and 61 Mpix SONY): 24mm 2.8 use 5.6 or 8 28mm 2.8 use 5.6 or 8 50mm 1.4 (serial>1,15mill) use >4 50mm Macro 3.5 use 5.6 or 8 90mm Macro 2 use 2.8 or more 180mm f2 excellent lens, I still use for Wide field Astrophotography. If you’re ready to step up to a new storage solution, you’re in the right place. The Canon EF 70-200 f/2.8L IS III USM features 4-stop Image Stabilization which will help to deliver stable footage when shooting handheld. So where do you begin in buying lenses? We shoot about 75% on location and having the dynamic range of the Alexa as well as the small form factor is great. It’s important to note that cine zooms are parfocal. Upon its release, it was a top ... PENTAX K1000. The Supreme Primes have a lovely texture to them, not too sharp but absolutely not soft. The iris also influences the appearance of bokeh — or blur— in your image. We agreed for some night wide shots and aerials in Singapore and Los Angeles we would utilize the 2500 iso mode on Sony Venice. Manual-Focus for 35mm Film Classics. A critical difference that Morten wanted to distinguish was how the audience saw Jacob. As a part of Sigma’s Art line of lenses, the Sigma 18-35mm f/1.8 DC HSM Art is built for use in creative endeavors. A part of Sony’s high-end G Master line of lenses, a great deal of work went into to correcting a wide variety of spherical and chromatic aberrations resulting in a clean, crisp image. It’s never been easier to make movies at the high level of performance that our large-format sensor cameras and camcorders make so accessible. Asahi Optical Company of Pentax fame is known for its outstanding lenses and this 7-element, 6-group Zeiss Planar-inspired classic is certainly no exception. We achieved this in part by using a smaller portion of the sensor, which increases depth of field for the same field of view. Paul Cameron: This year we explored the idea of Digital Capture to enhance the futuristic visual elements of the show. Greig Fraser: Traditionally, Star Wars films have mostly been shot 2.40. The FE 20mm F1.8 G comes with two extreme dynamic (XD) Linear Motors to offer quick, precise and quiet autofocus for both stills and video shooting. These are the best lenses available today. Think we missed something great? If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. Lenses are a major investment and not everyone can afford to shell out over a thousand dollars for a high-end option. 1 offer from $89.97 #13. They can have a long or a short throw, covering a wide range of focal lengths or only a very narrow range. Prime lenses have one fixed focal length while zooms can be used to cover a range. For certain scenes we took advantage of the camera’s ability to shoot large format, in 6K, for subjective emotional moments. While lenses with full frame coverage are generally more expensive, they’re also more versatile. Format: ARRI RAW 3.2KCamera: Arri Alexa MiniLens: Cook S5’s as our main set, but we had also 40mm C series anamorphic, 50,60,75,100mm anamorphic T series, 24-290mm Angenieux Optimo, 17-80mm Angenieux Optimo, 15-40mm Angenieux Optimo, 28-76mm Angenieux Optimo, 45-120mm Angenieux Optimo. Although they allow you to use a wider range of the lenses, adapters also have drawbacks. The rules created limitations, which forced us to creatively approach situations in unusual ways. Because of these demanding specifications, they are often considerably more expensive than similar still lenses. 99% of the show was on 35mm, 50mm, 65mm. Whether you’re buying your first or your twentieth lens, it’s important to know exactly what you’re looking. Some of the big ones are: how you plan to use it, which camera systems it’s for, and of course, price. Like its wider counterpart, this lens also features a Hyper Sonic Motor to improve its performance when focusing along with a nine-blade diaphragm which delivers a smooth bokeh. The Iris has 9 blades, so bokeh is nice and round. Copyright © 2020 Penske Business Media, LLC. Our round-up reveals the best Canon lenses for you, whatever your photographic needs. Zoom lenses with a constant aperture are easier to work with, but they typically come at a higher cost. Low light performance is good with the maximum wide aperture of F2.8 available throughout the zoom range. Adapters also can affect the light that passes through the lens to the sensor. Greig Fraser: Traditionally, Star Wars films have mostly been shot 2.40. There is no best really. Jubilee Films. My lens, camera and lighting choices are always based on how best to tell the story. First establish up front what style of video you’ll be filming. However, the high quality comes with a higer cost. The Editors’ Choice award recognizes exceptional video production equipment, software and services. A key element director Morten Tyldum emphasized in our first meeting was point of view. Leica MP. This was my first experience shooting a limited series for television and my approach was no different than when I shoot a movie. Best Lenses and Lens Kits for Shooting Video on Your iPhone iMore 2020. It lacks some of the more advanced features of its expensive rivals, but for everyday shooting, there is little this lens can’t do. The most advanced rangefinder 35 of its day, it established the form of all subsequent Leica Ms including the acclaimed digital M (Type 240). A lens that has an F-stop of f/1.2 might have a T-stop of t/1.4, representing a .2 loss of light. Because cinematographers value consistency, cine primes are often sold in sets. To translate his ideas to the screen is a joy, and always begins with an open palette. The Alexa Mini body is light enough to use on a Steadicam and MoVI, and small enough to handle the tight locations or crowded rooms we find ourselves in sometimes. The constant maximum aperture of f2.8 gives a great low light performance and image sharpness is excellent even wide open. Additionally, while new video cameras are being made every year, the technology in optics just doesn’t advance as fast. Paired with an MFT sensor with a 2x crop, a 35mm lens will have a field of view equivalent to that of a 70mm lens. The products must also deliver a superior user experience. Additionally, it features a customizable focus-hold button and aperture ring with a click on/off switch. Camera: Sony FS7 Lens: Canon EF 24-105 f4/L, EF 70-200 f4/L. It was expansive to utilize digital capture for the true attributes of the medium but as always “Westworld” shoots 35mm film and will continue to do so. Every frame has the potential to become a layered tapestry. There’s an inherent smokiness to the glass, and they seem to create an aesthetic weight, particularly with interiors. Focal length is one of the main determinants in the appearance of your image. LEICA MP. I thought this was the perfect use of this lens, to help tell this story of a family falling further and further out of clarity from one another. The Arri Shift and Tilt set and a set of Sliding Split Diopters were great tools for this. This difference makes T-stops more consistent for cinematic applications. I’ve wanted to use a particular lens for years now; a Noctilux, which is an old Leica still lens rehoused for cinema cameras. “Defending Jacob” cinematographer Jonathan Freeman, Format: (My brilliant 1st AC, Chad Rivetti, did the math) – 8K 6:5 Anamorphic mode Full sensor – Native captured recorded pixels in ‘squeezed’ 2.0:1 Aspect Ratio 4320 x 4320 – 2.0:1 ‘unsqueezed’ pixel count 8640 x 4320 – Then super sampled compressed to 4320 x 2160 deliverableCamera: Panavision DXL IILens: Panavision G-series (2x) with some substitution with T-series. The other factor in achieving deep focus is using a small aperture on the lens. Since full frame sensors are the largest, the image from a full frame lens will cover a smaller sensor. It was important to us that “Devs” possessed its own unique identity. They suit my style of lighting, which predominantly utilizes soft tungsten light. Benedict Spence: From the beginning, director Lucy Forbes and I wanted the show to have an honest, minimalist, but very filmic aesthetic. These suppress chromatic aberration and promise corner-to-corner image quality and minimal distortion even at the maximum F1.8 aperture. With a bright maximum aperture and eight blade diaphragm, this is another lens well-suited for working with low lighting and provides a stellar bokeh. The FE 20mm F1.8 G is dust and moisture resistant and has a fluorine front element coating. This type of methodical camera direction lead to the rhythmic cutting sequence of the interview scenes which is really the visual foundation of the show. FX Mirrorless DX Mirrorless. I shot with the Sony Venice because I’ve gravitated toward the Sony sensor for shooting digital and because it reads lenses so accurately. It does help with minor shakes, however. I think limiting ourselves to these focal lengths forced us to be meticulous with our coverage. 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