Welcome Home Plot: What's the story?. Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide. Emily Ratajkowski is a vulnerable asset, though she’s somewhat one dimensional as a character. It goes too far, then way too far, in a good way, putting a bizarre new frame around the movie you've been watching. Please make a donation or subscribe to STORGY Magazine with a monthly fee of your choice. All Rights Reserved. As directed by George Ratliff and written by David Levinson, the movie unfolds along fairly predictable lines. At the same time, he leaves Bryan's phone near Cassie so she can pick it up. There’s a general unease that director George Ratliff plays with, using strategic shots to remind us that these people are unwilling participants, even making us look over our own shoulders. Their relationship isn’t exactly believable, with the chemistry between the two devoid of a spark. A writer has already published all the stories from his childhood with his now-deceased father, and is struggling to develop new best-selling material. Do you disagree? But don’t despair. Sign up to get our cinematic goodness delivered to your inbox every weekend. Welcome Home has a melting pot of possibilities, preying on human fear, but much like Federico, it skulks when it should attack. Kristy Strouse is Editor in Chief of Film Inquiry, writer, podcaster, and all around film and TV fanatic. Bryan is instantly threatened by Federico’s good looks, and Federico uses this jealousy to ingratiate himself with the couple, manipulating them into turning against each other. I think my biggest complaint is the script written by David Levinson. NO TIME TO DIE Countdown: FOR YOUR EYES ONLY Revisited, A Beginner’s Guide to National Cinema Theory, Beginner’s Guide: George Miller, Writer & Director, The Beginner’s Guide: Josh & Benny Safdie, Writers & Directors, The Joker’s Smile, Part 3: The Final Joke (For Now…), The Joker’s Smile, Part 1: The 20th Century’s Most Adaptable Character, Louis Le Prince: The Unsolved Disappearance Of The Father Of Cinema, Critiquing The Critic: The Evolution & Function Of Film Criticism, Anarchic Cinema: Jean Vigo’s ZERO FOR CONDUCT, Anarchic Cinema: V-Cinema & Takashi Miike, The History of Hong Kong Action Cinema Pt. What did you think? "Welcome Home" is part of a long tradition of thrillers about devil figures who amplify tension in a couple's relationship, hoping to steal one half of the couple away, or simply torment (and maybe kill) both of them. (In-between showering, of course.) The otherwise appealing Ratajkowski is a bit vague in certain scenes, and she seems so sweet and loving that it's hard to square Cassie's demeanor with her indiscretion, even after the script has spelled it out for us. 5 – 1980: New Wave, Cinema City, Jackie Chan & John Woo, The History of Hong Kong Action Cinema Pt. Click to share on Facebook (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on WhatsApp (Opens in new window), Click to email this to a friend (Opens in new window), Reality, and Other Stories by John Lanchester, A Panda Appeared in Our Street by David Hartley. You’ve got what it takes - it’s why we chose you. Emotional & Braindead Days. With any thriller, filmmakers must realise that the audience are going to try and second guess what’s going to happen onscreen: it’s part of the reptilian side of how our brains are hardwired – so it doesn’t take a genius to figure out that Federico is spying on the couple through hidden cameras in the villa early on. When they meet the friendly neighbor Federico (Riccardo Scamarcio) he seems harmless, helpful. He falls and Bryan hits him with a cane. Paul gives Bryan an arrogant, self-loathing, resentful edge that makes him into something more than a tortured boyfriend (and hints at why Cassie cheated); he's particularly good in scenes where Bryan takes a hard look at his own weaknesses. Humanity achieved space travel several decades earlier than you know, and now a private company called Kepler is launching the first-ever Cryoship, and launching the first ever off-planet settlement project. Cassie sees a video of Bryan and the two ladies having sex in the hotel. Bryan (Aaron Paul) and Cassie (Emily Ratajkowski) rent a beautiful, romantic villa in the Italian countryside using a home-sharing website called Welcome Home. I’m always up for building tension, but Welcome Home could have used more of it. The relationship between Bryan and Cassie could have taken a darker turn than it did, and we never really find out much of Frederico’s story. The content we provide takes a lot of time, money and hard work to produce, and relies on the talented authors we publish and the dedication of a devoted team of staff writers. Why? He rewinds the tapes and sees Cassie killing Federico, and goes and asks her to confess. And you’ve never seen anything like it. He gives her a ride back, and then offers to give them a ride to town the next day. Emily Ratajkowski is a vulnerable asset, though she’s somewhat one dimensional as a character. It is shown that Federico has secret cameras all over their house, and is secretly watching them. for sexual content including graphic images, nudity, language and some violence. You are going to give them hope. There’s a lot wasted. We know you can do it, though. She flags down a passing truck, and an Italian named Federico stops and helps her. Unlock access to all of Film Inquiry`s great articles. The plot of the film is not necessarily original, but it works because of the actors and a well-written script. EXIT EARTH includes the short stories of all fourteen finalists of the STORGY EXIT EARTH Short Story Competition, as judged by critically acclaimed author Diane Cook (Man vs. Tears of joy aboard a sinking ship. We here at Kepler Aeronautics are proud to present her to you, first. [6] Metacritic reports a normalized score of 38 out of 100, based on 4 critics, indicating "generally unfavorable reviews". Laughter in a lonely land. Join a community of like-minded readers who are passionate about cinema - get access to our private members Network, give back to independent filmmakers, and more. Bulldoze the borders. The character is the star as well as the writer-director of a melodrama he created, but there has to be something defective in a personality that needs to create melodrama in the first place. It’s also not much of a reveal later in the film that he’s been essentially living under the house instead of on another property. Cassie throws her phone at Bryan, it misses him and hits a mirror, revealing a hidden camera. However, the period to revel in is too little, too late. Suddenly, Eduardo turns and aims a gun at Bryan, accusing them of murder. It had a head start, so why did it still come short? What are his motives? Scamarcio has the trickiest role, and he doesn't disappoint. He’s spot-on as a man who presents himself to others as a charismatic, confident, Big Bad Wolf-type, but is privately disturbed and pathetic.
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