Your ear is pretty good at hearing in that range, and more importantly, that’s where your ear starts to compress. The AEA R92 is designed to be an instrument mic. The front with its crispness offers plenty of high end detail while the rear side of the mic offers a more traditional smooth ribbon sound. It might be the best loved mic to come through for review in the history of Mojo Pie. AEA R92 or Royer R-101 I guess I'm really looking for a great single guitar cab mic, as well as something to complement my Coles 4038 and R84. Similar in sound to the AEA R84, but with a more pronounced midrange and minimized proximity effect, the R92 performs brilliantly when up close to brass, guitar amps, kick drum, and percussion. It had more chest and shoulder frequencies than the Coles. Being music makers ourselves, we love geeking out on all things gear. I always wanted to hear what the classic ribbons, like the RCAs or Coles microphones sounded like on vocals and guitars first-hand. Our final choice ended up being the R92 into a Pendulum Quartet II. R92 - surprisingly versatile! Ribbons have little horizontal crinkles which give a little as the ribbon moves back and forth. To learn more about our cookie policy, please check our Privacy Policy. Obviously, they outwardly borrow in look and feel from the RCA 77-DX in their AEA R84 and AEA R92. I had never really done much recording using ribbon microphones, other than using a Royer 121 on a guitar cabinet. Plug it into AEA's RPQ500 microphone preamp module and get the most out of it! Longer ribbons handle bass better. Hooley Dooley. That’s why bringing up the high-frequency shelf EQ on a condenser can be unpleasant and lead to sibilance, but if you EQ a ribbon to have just as much high end as a condenser, the ribbon will sound smoother. AEA R92 Review The R92 is fast becoming a studio staple. 5501 U.S. Hwy 30 W, Fort Wayne, IN 46818 I'm not after a very modern sound, which is why I'm not after a 121 at the moment. I put it up against a Coles 4038, which of course is a great sounding mic too, to get a sense of the differences. AEA’s popular R84, on the other hand, has its flattest response much closer to the source — in the two-foot range. The smooth side is more indicative of classic ribbons offering a fatter midrange response. Well, great sounds great, so “What does it sound like?” is the better question. Everything you love about Sweetwater in the palm of your hand. I used the R92 on my tube amp about six inches away from the cab, and it gave a very warm smooth response, which sounded fat and rich. The AEA R88 stereo ribbon mic makes a habit out of stunning engineers with how big of a sound a single mic... What's the Difference Between Concert and Soprano Ukulele? We tried a few different combinations of mics and preamps, and regardless of mic preamp, Justin consistently chose the R92 out of the mics we compared. AEA's popular R84, on the other hand, has its flattest response much closer to the source-in the 2 ft range. Also, the R92’s long ribbon is tuned to resonate at 16.5 Hz. I'm a sucker for ribbon mics, but had never gotten a chance to try any of AEA's modern lines. When you buy products through links across our site, we may earn an affiliate commission. Exclusive deals, delivered straight to your inbox. I've reviewed several impressive ribbon mics from AEA in these pages before: the classic reissue R44CX, the stereo R88 and the award-winning R84 — from which the R92, reviewed here, is effectively derived. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. The AEA R92 was part of our $60,000 Ribbon mic shootout. Now is the perfect time to get the gear you want with simple, promotional financing. This is why I was wrong to be disappointed with its weight; the size and weight are part of the premise of its design. If you are new to ribbons, you are in for a treat! According to the manual, the R92 is optimized for distances of 6''-12'', and it does sound great on guitar amps, even at proximities approaching zero. I got a guitar tone and A/B’ed between the Coles and the R92. To understand the R92, you need to know a little ribbon mic history. When you buy products through links across our site, we may earn an affiliate commission. Yes, they got that giant pill look. The R84 is just a great example of a classic ribbon mic sound, engineers beware of boominess. While other ribbon mics can be used up close, I don’t know of any others that were specifically designed as close mics, which I think is how most people use them. All This Thread Reviews Gear Database Gear for sale Latest Trending. I could definitely tell the difference when using the front lobe on a female vocal which gave an intimate but well-defined sound without yielding harsh sibilance. The new R92 employs AEA's Large Ribbon Geometry design, like the R84, but this new model has been optimised specifically for close-miking applications. The owner possessed a great mic cabinet. It’s definitely worth checking out, and it should by no means be treated as just a close mic or just a guitar mic. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. I can never figure out why when people post sound clips of all these ribbon mics on different things like guitars, drums, and vocals that everyone always gravitates towards the deepest, biggest, fullest sounding mic. The AEA R92 is the best snare sound I've had to date. Yet, he seemed most proud of his AEA R84 ribbon microphones. The R92 was designed in response to requests (from some guitar-playing AEA employees) for a mic that would sound great for recording guitars when placed right up against the amp grill. Resonance gives a mic its character. All This Thread Reviews Gear Database Gear for sale Latest Trending. Mastering for Vinyl: An Audio Engineers Guide, Choosing the Best Thunderbolt Audio Interface on Any Budget, First Look: Epiphone's New Prophecy Guitars. Get Directions | Cut to Ribbon From the moment I plugged the R92 into a preamp and turned up the monitors I could immediately tell this was no ordinary ribbon. The R92 is fast becoming a studio staple. I had a session with a great trumpet player named Justin Ray, who brought in the most recent Terence Blanchard album as a tonal reference. Most vintage ribbon microphones are spectrally balanced for medium and distant placements, principally because their inherently large proximity effect precludes close miking. The more crinkles spread over the height of the ribbon, the more room there is for give. Happy customers, one piece of gear at a time! Very highly recommended. According to the manual, the R92 is optimized for distances of 6"-12", and it does sound great on guitar amps, even at proximities approaching zero. The front and rear lobes have slightly different tones, with one offering a higher frequency response for a “crisp” sound and the other rolling off the highs for a “smooth” sound. The AEA R88 stereo ribbon mic stuns engineers with its clarity and natural stereo image. Phone Hours | The problem lies in that vintage ribbons mics are extremely hard to find and maintain, as well as not being up to snuff with the recording rigors of today. So Much Gear, So Little Time. The Forums. Home. This website uses cookies to improve your experience. Justin had done his research and spoken to Terence about how he got his tone (which I’m pretty sure was a U 67 though a 1073). Learn more. The Forums. The R92 on the other hand is kind of like the back side of a Royer 122 and has a more modern and balanced sound and is not as prone to proximity effect as most ribbons. Finished in space-age anodized aluminum and fixed in an integral shock-mount with attached cable, the R92 looks and feels as stylish and solid as the R84 and R88 — the two previous AEA efforts that share the R92… I think what’s actually happening is that it’s flatter than the Coles and doesn’t have the guttural bump that the Coles gets from its ribbon being tuned at 45 Hz. Traditional large-diaphragm condensers will have natural resonance structures and high Q peaks in the 8–12 kHz range. The R92’s design for close mic’ing was very helpful in reducing drum bleed into the mic and still getting a great trumpet tone. Once I learned what this mic is all about, I realized its light weight is a feature and part of its identity. Mic Database | Mic Reviews | Microphone Sale, TapeOp Issue #56/November, 2006 | by Mike Caffrey, See specifications, reviews, & mods for the AEA R92. I bought the R92 on a whim, and have been consistently blown away by its qualities. In fact, my first reaction was disappointment because I have such a strong association with heavy being better. Home. Learn more The AEA N22 gives you awesome ribbon mic performance, affordably. I had never really done much recording using ribbon microphones, other than using a Royer 121 on a guitar cabinet. Pro Audio Review I’ve been a huge fan of ribbon mics for well over a decade but if anyone ever told me that a ribbon could capture high frequencies the way the R92 captures high frequencies, I would have called them a liar. First, AEA makes some interesting mics. R88 stereo ribbon mic stuns engineers with its clarity and natural stereo image ribbon armoury. 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